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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
avatar for Emmanuel Ferrand

Emmanuel Ferrand

ana-R & La Générale
researcher
France
Emmanuel Ferrand (1969) is an engineer and mathematician with a deep interest in the interface of arts and science. He has been active in the global alternative music and arts scene since 1998. Practices include the sharing of ideas, methods and projects in circuit bending (musical hacking of everyday life consumer electronics), analogue circuitry instrument building workshops, currently in the context of La Générale (2007-2019), an independent art space in Paris, which -to name one among many other things- hosted the sound art exhibitions of the Sonic Protest Festival, often featuring diverse hacking techniques applied to musical instruments (Sarah Kenchington, Lucas Abela, Nicolas Collins,  Testsuya Umeda, Jean-François Laporte, Thierry Madiot, ...)