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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
Tuesday, August 20 • 11:00 - 12:00
Track 3 - Session 3.1

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Track 3 - Session 3.1
Performative Arts, Voice, and Construction of Memory I

  • SOUND ART AND ORAL HISTORY NARRATIVES IN A POST-CONFLICT PERFORMANCE OF MEMORY: ENGAGING PUBLICS AS LISTENERS OF PAINFUL PERSONAL PASTS
    Luis Sotelo Castro
  • MICTLAN: A CYBER-CARTOGRAPHY THE SEARCH FOR THE LOVED ONES. A COLLABORATIVE SOCIALLY-ENGAGED ART PROJECT
    Luz María Sánchez 
  • “ELLOS NO ESTÁN ENTENDIENDO NADA” [“THEY ARE NOT UNDERSTANDING ANYTHING”]: LISTENING TO EMBODIED MEMORIES OF COLOMBIAN MIGRANT WOMEN, REFLECTING ON CONFLICT AND MIGRATION
    Ximena Alarcón-Díaz & Alexander Refsum Jensenius

Session Chairs
avatar for Iris Garrelfs

Iris Garrelfs

Goldsmiths, University of London
The Listening Wall: strategies for scored listeningWe live in divisive times, Trump’s wall between the US and Mexico being just one example. In response, Listening Wall is a participatory project devised by Iris Garrelfs, operating from the premise that the process of listening... Read More →

Speakers
avatar for Alexander Refsum Jensenius

Alexander Refsum Jensenius

Associate Professor, University of Oslo
Alexander Refsum Jensenius is a music researcher and research musician. His research focuses on why music makes us move, which he explores through empirical studies using different types of motion sensing technologies. He also uses the analytic knowledge and tools in the creation... Read More →
LS

Luis Sotelo Castro

Associate Professor, Concordia University
Luis C. Sotelo Castro is Canada Research Chair in Oral History Performance and Associate Professor in the Department of Theatre at Concordia University, Montreal (Quebec, Canada). In his current creation-research, he investigates modes of listening in the context of oral history performance and, more broadly, in the context of performances of memory. Since 2002, he has done work with and for internally dis... Read More →
avatar for Ximena Alarcón-Díaz

Ximena Alarcón-Díaz

Postdoctoral Researcher, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo
Ximena Alarcón-Díaz is a sound artist researcher interested in listening to interstices: dreams, underground public transport, and the migratory context. Her research focuses on the creation of sonic telematic performances using Deep Listening , telematic improvisation, and interfaces for relational listening. In 2007, she received a PhD in Music, Technology and Innovation from DMU, and in 2012, a Deep Listening Certificate from the Deep Listening Institute. She has been awarded with postdoctoral fellowships such as the Leve... Read More →
avatar for Luz María Sánchez

Luz María Sánchez

Chair, Universidad Autónoma Metropolitana, Lerma


Tuesday August 20, 2019 11:00 - 12:00
F Room - CREATE AAU Rendsburggade 14, 9000 Aalborg, Dänemark

Attendees (24)