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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
Track 9 General Topics [clear filter]
Tuesday, August 20
 

11:00 CEST

Track 9 - Session 9.1
Track 9 - Session 9.1
Media Arts: Histories, Actions, Practices I

  • FROM READING TO SENSING: THE ART OF TECHNOLOGICAL GRAMMATIZATION
    Kyungso Min
  • BETWEEN THE SENSES: WHAT OUR BRAINS REVEAL ABOUT OUR CONNECTION BETWEEN SOUND AND COLOUR
    Umut Eldem

Session Chairs
avatar for Laura Beloff

Laura Beloff

IT University of Copenhagen // Aalto University Helsinki
Laura Beloff is an internationally acclaimed artist and researcher who functions in-between academic leadership & research with a core in the arts and in artistic methods. She is Associate Professor and Head of the PhD School at IT University of Copenhagen where she is part of the... Read More →

Speakers
KM

Kyungso Min

University of Wisconsin-Madison
As a Ph.D. candidate in the Department of Art History at the University of Wisconsin-Madison, Kyungso Min studies East Asian art histories and theories, with an emphasis on digital art and visual culture from the mid-1980s to the present. She received M.A. in art history from Seoul... Read More →
avatar for Umut Eldem

Umut Eldem

University of Antwerp
Umut Eldem is a composer, musician, and researcher. He started his composition studies in the Mimar Sinan State Conservatory. After receiving his Bachelor's diploma in Composition, he has continued his Master’s studies in the Royal Conservatoire of Antwerp. In the same institution... Read More →


Tuesday August 20, 2019 11:00 - 12:00 CEST
E Room - CREATE AAU Rendsburggade 14, 9000 Aalborg, Dänemark

13:00 CEST

Track 9 - Session 9.2
Track 9 - Session 9.2
Media Arts: Histories, Actions, Practices II

  • LISTENING TO THE WORLD. TECHNO-SONIC MEDIATIONS OF REALITY
    Lars Botin
  • SOUNDING IMMATERIAL. SOUND AND LISTENING IN THE EXHIBITION LES IMMATÉRIAUX” (PARIS, 1985) 
    Andreas Broeckmann

Session Chairs
avatar for Jens Hauser

Jens Hauser

Medical Museion
Jens Hauser is a Paris and Copenhagen based media studies scholar and art curator focusing on the interactions between art and technology. He’s a researcher at University of Copenhagen’s Medical Museion, following a dual post-doctoral research position at the Faculty of Humanities... Read More →

Speakers
avatar for Andreas Broeckmann

Andreas Broeckmann

HGB Leipzig; Leuphana University of Lüneburg
Dr. habil. Andreas Broeckmann is an art historian and curator who lives in Berlin. Since 2015 he has been engaged in the research and documentation project, Les Immateriaux Research. Currently Visiting Professor for Art History and Media Theory at the Academy of Fine Arts, HGB, Leipzig... Read More →
LB

Lars Botin

Aalborg University
Lars Botin is Associate Professor at Department of Planning, Aalborg University (DK). He holds a PhD in Philosophy of Science and Technology, and a Master degree in Art History. He has during the past decade investigated the intersection in between art, science and technology in the... Read More →


Tuesday August 20, 2019 13:00 - 14:00 CEST
E Room - CREATE AAU Rendsburggade 14, 9000 Aalborg, Dänemark
 
Wednesday, August 21
 

13:00 CEST

Track 9 - Session 9.6
Track 9 - Session 9.6
Media Arts: Histories, Actions, Practices VI

  • BETWEEN SOUND AND IMAGE. THE FUNCTION OF SOUND IN FILMS AND VIDEO WORKS OF THE WORKSHOP OF FILM FORM
    Ryszard W. Kluszczyński
  • THE SCIENCE OF THE VOICE OF NATURE 
    Andrés Burbano
  • A MEDIA ART CANON?
    Duncan Bass

Session Chairs
avatar for Dolores Steinman

Dolores Steinman

University of Toronto

Speakers
avatar for Andres Burbano

Andres Burbano

Universidad de los Andes
Andres Burbano is a researcher, curator and interdisciplinary artist whose work ranges from documentary video (in both science and art), to sound installation and telecommunication art. Burbano is currently Associate Professor of the Department of Design at the Universidad de los... Read More →
avatar for Duncan Bass

Duncan Bass

School of the Art Institute of Chicago
Duncan Bass is a cultural critic, curator, and art historian. Current research explores the intersections of art and contemporary culture with an emphasis on the societal implications of emerging technologies and the politics of visuality. Bass is a graduate of the School of the Art... Read More →
avatar for Ryszard W. Kluszczyński

Ryszard W. Kluszczyński

Chair of Department of Electronic Media, University of Lodz
Prof. Ryszard W. Kluszczyński, PhD, media art scholar, writer and curator. Professor of Media and Cultural Studies at the University of Lodz, Poland, Chair of Department of Electronic Media. Professor at the Academy of Fine Arts in Lodz. Visiting professor in numerous universities... Read More →


Wednesday August 21, 2019 13:00 - 14:00 CEST
Auditorium - CREATE AAU Rendsburggade 14, 9000 Aalborg, Dänemark
 
Friday, August 23
 

11:00 CEST

Track 9 - Session 9.4
Track 9 - Session 9.4
Media Arts: Histories, Actions, Practices IV

  • DEEP LISTENING: EARLY COMPUTATIONAL COMPOSITION AND ITS INFLUENCE ON ALGORITHMIC AESTHETICS
    Tiffany Funk
  • MUSIC AS A CREDIBLE METAPHOR OF REALITY BY LAIBACH
    Joanna Szczepanik

Session Chairs
avatar for Jens Hauser

Jens Hauser

Medical Museion
Jens Hauser is a Paris and Copenhagen based media studies scholar and art curator focusing on the interactions between art and technology. He’s a researcher at University of Copenhagen’s Medical Museion, following a dual post-doctoral research position at the Faculty of Humanities... Read More →

Speakers
avatar for Joanna Szczepanik

Joanna Szczepanik

West Pomeranian University of Technology in Szczecin
Joanna Szczepanik – PhD in Cultural Studies (University of Social Sciences and Humanities SWPS, Warsaw, Poland), currently the Assistant Professor at the West Pomeranian University of Technology in Szczecin, Poland. The area of her work covers art criticism and the issues concerning... Read More →
avatar for Tiffany Funk

Tiffany Funk

Lecturer and Academic Advisor, University of Illinois at Chicago
Tiffany Funk, PhD, is an artist, critical theorist, and researcher specializing in emerging media, computer art, video games, and performance art practices. She researches and develops work exploring both current and historical digital technological art practices, alternately taking... Read More →


Friday August 23, 2019 11:00 - 12:00 CEST
B Room - CREATE AAU Rendsburggade 14, 9000 Aalborg, Dänemark

16:00 CEST

Track 9 - Session 9.5
Track 9 - Session 9.5
Media Arts: Histories, Actions, Practices V

  • ON SEIKO MIKAMI: A CRITICAL READER
    Jung-Yeon Ma
  • CONSTRAINT AND FREEDOM IN SOUND: FROM THE PORTSMOUTH SINFONIA TO NEW ALGORITHMS
    Brian Reffin Smith

Session Chairs
avatar for Miguel Carvalhais

Miguel Carvalhais

INESC TEC; University of Porto
Miguel Carvalhais is a designer and musician. He is an assistant professor at the Faculty of Fine Arts of the University of Porto. He studies computational systems and their use in creative practices with these, having dedicated his PhD research to the subject and later published... Read More →

Speakers
BR

Brian Reffin Smith

Collège de 'Pataphysique
Brian Reffin Smith, musician, artist, theoretician and teacher, born 1946 in the UK, lives in Berlin, Germany. He won the first ever Prix Ars Electronica, the Golden Nike, in Linz, Austria, 1987, and his artworks are shown internationally. His article ’43 dodgy statements on... Read More →
JM

Jung-Yeon Ma

Meiji University
Jung-Yeon Ma. Born in 1980, Seoul, Republic of Korea. She graduated from Graduate School of Film and New Media, Tokyo University of the Arts with her doctoral dissertation on social implications of art and media technologies, which was later published as A Critical History of Media... Read More →


Friday August 23, 2019 16:00 - 17:00 CEST
D Room - CREATE AAU Rendsburggade 14, 9000 Aalborg, Dänemark

16:00 CEST

Track 9 - Session 9.7
Track 9 - Session 9.7
Media Arts: Histories, Actions, Practices VII

  • SCREENS—CONNECTIONS, INTERACTIONS AND GESTURES
    Charu Maithani
  • FREELY IMPROVISED AND NON-ACADEMIC ELECTROACOUSTIC MUSIC AS URBAN FOLK
    Harold Schellinx & Emmanuel Ferrand
  • THE PRIMACY OF SOUND IN ROBERT BRESSON'S FILMS
    Amresh Sinha

Session Chairs
avatar for Jens Hauser

Jens Hauser

Medical Museion
Jens Hauser is a Paris and Copenhagen based media studies scholar and art curator focusing on the interactions between art and technology. He’s a researcher at University of Copenhagen’s Medical Museion, following a dual post-doctoral research position at the Faculty of Humanities... Read More →

Speakers
avatar for Charu Maithani

Charu Maithani

University of New South Wales
Charu Maithani is a researcher who organises her inquiries in form of writings and curated projects. Her ongoing research explores the agency of screens in the contemporary postmediatic space. She completed her MA (Aural and Visual Culture) from Goldsmiths College (2010) and is currently... Read More →
avatar for Amresh Sinha

Amresh Sinha

The School of Visual Arts
Amresh Sinha teaches film at the School of Visual Arts (SVA) in New York City. He currentlyholds two Ph.D.: One from York University (1995), Toronto, and one from New York University(2015). He has taught Film and Media Studies in various institutions that includes New YorkUniversity... Read More →
avatar for Harold Schellinx

Harold Schellinx

AnA-R
Harold Schellinx was one of the initiators of the Dutch ULTRA movement, which provided a common denominator as well as an infrastructure (closely linked to the Amsterdam squatting scene) for the large group of artists and musician that together made up the Dutch brand of experimental... Read More →
avatar for Emmanuel Ferrand

Emmanuel Ferrand

researcher, ana-R & La Générale
Emmanuel Ferrand (1969) is an engineer and mathematician with a deep interest in the interface of arts and science. He has been active in the global alternative music and arts scene since 1998. Practices include the sharing of ideas, methods and projects in circuit bending (musical... Read More →


Friday August 23, 2019 16:00 - 17:00 CEST
B Room - CREATE AAU Rendsburggade 14, 9000 Aalborg, Dänemark
 
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