Loading…
This event has ended. Visit the official site or create your own event on Sched.
Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
avatar for Anna Nacher

Anna Nacher

Jagiellonian University
assistant professor
Poland
Anna Nacher, PhD, associate professor at the Jagiellonian University. Her research interests include digital culture, cultural theory, media art, sound studies and e-literature. She currently pursues a 3-year long research project on the aesthetics of post-digital imagery on a grant from Polish National Science Centre. The author of three books in Polish, the newest one published in 2016 focuses on the locative media imagery. A reworked version of one chapter has been published as "Internet of things and automation of imaging: beyond representationalism" in "communication+1", vol. 5 (2016). Other articles and chapters in edited volumes include: Techno-ecological media installations as the strategy of network, in: R. Smite, R. Smits eds. Virtualities and Realities. New Experiences, Art, and Ecologies in Immersive Environments, RIXC Center for New Media Culture, Riga 2019; In Praise of the (Post) Digital, Electronic Book Review, 5. Aug. 2018; Masaki Fujihata – On the Existence of Technical Objects, [w:] red. R. W. Kluszczyński, Augmenting the World. Masaki Fujihata and Hybrid Space-Time Art, Centrum Sztuki Współczesnej ŁAŹNIA, Gdańsk 2017; Mashup as paratextual practice: beyond digital objects (in the age of networked media), a chapter in N. Desrochers, D. Apollon (eds.), Examining Paratextual Theory and its Application in Digital Culture, Information Science Reference, IGI Global 2014. In 2018 a member of the jury for Electronic Literature Organization's N. Katherine Hayles Award for Criticism of Electronic Literature. She is also a part-time musician and sound artist focusing on field recordings.