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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
avatar for Liora Belford

Liora Belford

University of Toronto
Liora Belford is a sound artist, curator, a scholar, and a PhD candidate at the department of Art History, University of Toronto. Her research focuses on the curation of sound within the context of modern and contemporary art, and in particular, on John Cage’s compositions for museums: museumcircle (1991), Changing Installation (1991), and Rolywholyover A Circus (1991-95). She is half of the artistic duo Duprass and co-owner of the experimental record label Interval Recordings (together with Ido Govrin). Her recent curated exhibitions include Image Coming Soon#1 (2015); Pardes (2015), A Piece for Two Floors and a Corridor (2015), and WarCraft (2019). She is currently preparing Listening to Snow for the Art Museum (Toronto), a major exhibition on the sound works of Canadian artist Michael Snow (scheduled January 2020).