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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
avatar for Joo Yun Lee

Joo Yun Lee

Pratt Institute
South Korea, United States
Joo Yun Lee is an art historian, curator, and cultural producer based in New York and working on the intersection of art and computational media in contemporary art and visual culture. She received her Ph.D. in Art History and Criticism from Stony Brook University, where she wrote a dissertation on Japanese composer and visual artist Ryoji Ikeda’s audiovisual work: Infinitesimal to Infinity: Ryoji Ikeda’s Data Composition and Space of Sensing (2018). She finds her interests in ontology, materiality, spatiality, and the senses of computational media and its social political implication in art and visual culture from the 1960s to the present crossing regional boundaries. Her research brings together methodologies from art history and criticism, critical studies, media aesthetics and archeology, post-phenomenological philosophy, sound studies, and history of computational media to provide a more sophisticated aesthetic, historical, and theoretical foundation for the criticism of experimental art and sound practices at the intersection of art, science, and computational media. She was awarded Fulbright Graduate Study Award and was a 2013-2014 Helena Rubinstein Curatorial Fellow in the Whitney Museum’s Independent Study Program, and teaches at the Pratt Institute in New York. Before starting her doctoral work in art history, she was an assistant curator at the Seoul Museum of Art and was in charge of the Seoul International Media Art Festival. She was also an editor of AliceOn (aliceon.net), South Korea’s first web magazine and networking channel on media art and culture.