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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
KM

Kyungso Min

University of Wisconsin-Madison
United States
As a Ph.D. candidate in the Department of Art History at the University of Wisconsin-Madison, Kyungso Min studies East Asian art histories and theories, with an emphasis on digital art and visual culture from the mid-1980s to the present. She received M.A. in art history from Seoul National University, South Korea (2012), and State University of New York-Stony Brook, USA (2014). The ideas of translation, boundaries, and communities constitute the conceptual foundation for her doctoral research on post-translational communication and collective spectatorship in trans-East Asian, trans-Pacific new media art. Kyungso’s dissertation, “Post-translational Belonging: The Languages of Future in Transnational New Media Art After 1984” offers a region-specific account of how East Asian new media art after Korean-American artist Nam June Paik’s first satellite project, Good Morning, Mr. Orwell (1984), gestures toward the shaping of global sites of intimacy not reliant on shared languages. For the academic year of 2019-20, she conducts her dissertation research at the Smithsonian American Art Museum and the Asian Pacific American Center as a Big Ten Academic Alliance Smithsonian Institution Predissertation Fellow. Kyungso’s doctoral research has been supported by the Japan Foundation, Seoul National University’s Kyujanggak Institute of Korean Studies, UW-Madison’s Institute for Regional and International Studies and Graduate School, and Joan B. Mirviss Fund in Japanese Art History.

My Speakers Sessions

Tuesday, August 20
 

11:00 CEST