Salomé Voegelin is an artist and writer engaged in listening as a socio-political practice of sound. Her work and writing deal with sound, the world sound makes: its aesthetic, social and political realities that are hidden by the persuasiveness of a visual point of view. Voegelin is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, 2010, Sonic Possible Worlds: Hearing the Continuum of Sound, 2014, and The Political Possibility of Sound, Fragments of Listening, 2018. Voegelin’s work brings the philosophy of sound to a participatory engagement: she co-convenes Points of Listening with Mark Peter Wright. While this series of monthly events engages in collective listening and communal sound making, her textual phonography blog SoundWords is an on-line template for a participatory and public listening, writing and score making. As an artist Voegelin works collaboratively with David Mollin, Mollin+Voegelin, in a practice that engages words, things and sound and focuses on invisible connections, transient behaviour and unseen rituals. Most recently they performed at Errant Sound in Berlin 28.10.18, and their work A Cartography of knuckles and fingertips was part of Liminaria, collateral event of Manifesta 12 Palermo November 2018. Voegelin is a Professor of Sound at the London College of Communication, University of the Arts London.