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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.

xtine burrough

LabSynthE, University of Texas at Dallas
Communication and Digital Culture (Burrough)
United States
xtine burrough’s creative and scholarly investigation of emerging technologies uses remix as a strategy for engaging networked audiences in critical participation. burrough uses remix as a strategy for appropriation, juxtaposition, and computation. As a hybrid artist, she plays at the intersection of media art and digital poetry, and combines making with writing. burrough values the communicative power of art-making as a vehicle for exploring the boundaries between humans and the technologies they create, embody, and employ. Her practice is iterative; it is conceptual and poetic. She collaborates with diverse populations from students to senior citizens to virtual factory workers. Her projects yield multiple layers for various forms of participation in the creation of poetic moments of tactical media. She archives her work and process to further articulate the relationships between what she makes and does with how she thinks about technology and culture in articles, chapters, and books. burrough uses remix and appropriation as strategies for activism and speaking back to structures of power; and she has edited volumes and portfolio sections for other artists to write, reflect on, expose, and archive their practices. As Area Head of Design + Creative Practice in the School of Arts, Technology, and Emerging Communication at UT Dallas, she organizes LabSynthE, a laboratory for creating synthetic, electronic poetry.