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Welcome to RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019 - Aalborg, Denmark. RE:SOUND is part of the Media Arts Histories conference series, bringing together leading researchers, artists, and scientists on a series of interdisciplinary topics for over 14 years.

The RE:SOUND conference will take a specific interest on the theories, practices, histories, etc., of art and technology which are focusing on, concerned with, reflecting on, including, mobilising and/or working with sound as a main component or an integral part. RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes.
avatar for Gabriela Aceves Sepúlveda

Gabriela Aceves Sepúlveda

Simon Fraser University
Assistant Professor
Canada
Dr. Gabriela Aceves Sepúlveda is Assistant Professor at the School of Interactive Arts and Technology at Simon Fraser University where she directs cMAS (the critical media arts studio), an interdisciplinary research and media creation studio. With degrees in design, media arts, and cultural history, her work investigates the histories and practices of art, science, and technology. She is the author of Women Made Visible: Feminist Art and Media in post-1968 Mexico (University of Nebraska Press, 2019) and several peer-reviewed articles, book chapters, and research-creation projects on feminist media art and archival practices in Latin America. Other research interests include the intersections of sound, race and gender; the environmental entanglements of digital technologies, its histories and infrastructures; and the histories and theories of embodiment and performance. Her video and sculptural installations that explore the body as a site of cultural, gender and bio-political inscriptions have been exhibited in Canada, Mexico, France, India, Chile and the U.S. She is a member of the art/mamas collective based in Vancouver, BC and has served as a board member of various artist-run-centres in Canada. Currently, she is working on a book manuscript on the history of electronic and avant-garde music entitled Weaving the Electric Wave: Latin American Women Composers, 1888 -1980, and co-editing a volume on the development of immersive technologies in the global south. To learn more about her work visit: http://criticalmediartstudio.com/ ">http://criticalmediartstudio.com/ ">Dr. Gabriela Aceves Sepúlveda is Assistant Professor at the School of Interactive Arts and Technology at Simon Fraser University where she directs cMAS (the critical media arts studio), an interdisciplinary research and media creation studio. With degrees in design, media arts, and cultural history, her work investigates the histories and practices of art, science, and technology. She is the author of Women Made Visible: Feminist Art and Media in post-1968 Mexico (University of Nebraska Press, 2019) and several peer-reviewed articles, book chapters, and research-creation projects on feminist media art and archival practices in Latin America. Other research interests include the intersections of sound, race and gender; the environmental entanglements of digital technologies, its histories and infrastructures; and the histories and theories of embodiment and performance. Her video and sculptural installations that explore the body as a site of cultural, gender and bio-political inscriptions have been exhibited in Canada, Mexico, France, India, Chile and the U.S. She is a member of the art/mamas collective based in Vancouver, BC and has served as a board member of various artist-run-centres in Canada. Currently, she is working on a book manuscript on the history of electronic and avant-garde music entitled Weaving the Electric Wave: Latin American Women Composers, 1888 -1980, and co-editing a volume on the development of immersive technologies in the global south. To learn more about her work visit: http://criticalmediartstudio.com/